Wednesday, February 25, 2015

Erlanger House

2/24/15
                On this walking tour, we went to the Erlanger House. This has been my favorite tour so far. It exposed us to something completely different than what we normally experience. It also tied in nicely with the models we are doing for the next class.
                Walking up to the house was the first of many surprises to come in the tour. It stands out from all of the other houses on the street around it. It is set back from the sidewalk farther than the rest of the houses and, while all of the other residences have large window and doors at the center of the house, the Erlanger house has none of these. Instead, all that is visible to passersby is a blank brick wall, and, if one looks closely, a small glass door, set on the edge of the front of the house. This gives the whole building the sense of privacy.
                The first floor of the building shows off the minimalism put into the building. The whole thing is very open, with two full walls of windows, letting in a lot of natural light. The sitting area contains a sunken space with couches built into the sunken space. This faces out to the “front yard”, which is a space outside, in between the wall of brick visible from the sidewalk and the glass wall of the house. On the other side of the sitting area is a very open space that rises the height of the building. This is also against a glass wall that faces the backyard. Here, there floor is completely open and hard wood, as opposed to the rest of the floor, which is cement and stone. This space was intended for dance classes that Margaret Erlanger would have at her house. There is also a small kitchen and bathroom on the first floor. The whole house is centered around a chimney that rises straight through the middle.
                The second floor is only half of the length of the house, as the dance space is double height. This space is dedicated almost entirely to the bedroom. This space is, again, very open. The second floor acts as a balcony to view the dance space on the floor below. The whole thing is carpeted in white, including the bathroom, which is a little odd. The toilet and shower are on opposite ends of the bathroom and both have a square skylight above them. Even in the place where one is supposed to have the most privacy, one can feel the sense of openness.
                This house was huge important to make connections to, in regards to our model project. The space had a mezzanine level, a double height space, stairs, and a chimney. Indeed, as I moved through the house, I was able to think about all of the elements it incorporated and apply them to the rules we had been assigned.

                This house was just so different from anything I had experienced before. It so simple and had such a beautiful aesthetic. It fit the original owner so perfectly in both function and very representation of who she was as a person. If this has convinced me of anything, it is to hire an architect to design my own future house.

Sunday, February 22, 2015

The Armory, Huff Hall, and Irwin Indoor Sports Facility

2/17/15
                This past Tuesday, we visited three of the buildings on campus that are affiliated with athletics: Huff Hall, the Armory, and Irwin Indoor Sporting Facility. All three of these buildings were meant to be very open and spacious, perfect for sporting events or practices. These spaces all had huge volumes, uninhibited by columns or support in the main space. From the floor of the buildings, it seems impossible for the high ceilings the stay suspended in the heavens without any main columns holding up the center. However, when you exam the ceilings, you see the intricate network of support that redistributes weight to the edges of the building. It is through these that the building is able to hold up the massive ceilings without central columns.
                The function of buildings like Huff, the Armory, or Irwin is to create large spaces where students and athletes have room to engage in sporting activities. This involves such activities as running, jumping, and even throwing things. This means that there needs to be adequate space in the building for such activities to be done without being impeded by columns. Large networks of trusses are used to redistribute the force of the ceiling. These networks take the vertical force that gravity puts on the ceiling and, through a system of interconnected beams, turns the force into a horizontal one. These horizontal forces are then sent outwards, to the edges of the building. There, vertical columns transfer the weight of the ceiling to the ground.
                A truss generally consists of two beam, a top chord and a bottom chord. They utilize tensile and compressive forces to act as braces. The top chord is generally in compression, which means there is an inward, pushing force on the beam. The bottom chord is in tension, which means there is an outward, pulling force on the beam. They are designed to transfer force and to stabilize each other. This allows them to hold up huge ceilings.

                The ability to redistribute force is very important in the modern structure. As buildings get bigger, the necessity for more complex infrastructures arise, and trusses and other such elements become all important. It combines the increased functionality of large spaces with impressive design of complex trusses